Link in Bio for Designers

For a designer, the page itself is part of the pitch. The moment someone clicks your bio link, they are already judging your taste, before they read a word. A link in bio for designers has to do two things at once: show your best work and look good doing it. Get both right and the page wins you projects on first impression. Get the work in front of art directors, clients, and recruiters, in a frame that proves you have an eye, and you are halfway hired.

The page below is built to sell your work, not to look busy. A line about what you design, a portfolio gallery up top, links to where your work lives, proof, and one clear way to start a conversation. Every section earns its place by moving a prospect closer to a brief.

Open with what you design and a page that proves it

The top of the page is your name and one sentence that says what you do and for whom. “Brand and packaging design for food and drink startups” tells a client in a breath whether you are their designer. “Creative” or “designer and artist” is vague and gives them nothing to act on.

This is where your tool choice matters most. A designer cannot send people to a page that looks like a generic button list, because the page contradicts the pitch. With 60 or more designed themes, each a full design system of type, color, and spacing, you can pick a look that reads as taste from the first scroll. The Bento alternative page shows how a designed layout speaks for your craft in a way a plain link list never can.

Lead with a portfolio gallery

Right under your intro, lead with the work. Use an image gallery block to show your strongest pieces large and bright, the projects that make an art director stop scrolling. This is the heart of the page, so it goes high and it shows your best, not your most recent. Three to six pieces, selected, not exhaustive.

Curating down is itself a design decision and a signal. A tight set of strong work reads as confidence and editorial judgment, while a dump of everything you have ever made reads as uncertainty about what is actually good. Because the page ships with near-zero JavaScript, even a heavy gallery loads fast on a phone, so a client never bounces waiting for your images. The post on link in bio for freelancers has more on choosing what work to show.

Link Dribbble, Behance, and where your work lives

After the gallery, send people to the places your full body of work lives. Add link blocks or social icons for Dribbble, Behance, Instagram, and your portfolio site if you have one. Someone who liked the gallery wants to go deeper, so give them the obvious next door rather than making them search your name.

Keep the set focused on platforms where your work actually looks good and is current. A dead Behance from two years ago hurts more than it helps, so link only what you keep alive. You can also embed a video block to show a motion reel or a case-study walkthrough, which is often the most persuasive thing a designer can put in front of a client.

Add proof that you deliver

Great work gets attention, but proof closes the deal. Add a short testimonial from a client or art director with a real name, a line of logos from brands you have worked with, or a note about a project’s result. Keep it specific. One quote that names a happy client in Chicago outperforms a wall of generic praise.

For a designer, proof also reassures clients that you are easy to work with, not just talented, which is half of what they are nervous about. A line like “delivered the full rebrand in four weeks, on brief” answers the quiet worry that good designers are hard to manage. Keep it brief and let the work carry most of the weight.

End with one clear way to start a project

The last thing on the page is a single, obvious contact action. Add a contact block with a tap-to-email button or a link to your scheduling tool, placed at the bottom where a convinced client naturally lands. “Start a project” or “Let’s talk” beats offering five ways to reach you, because one clear path tells the prospect exactly what to do next.

On Pro you can add a lead-capture form so a client sends the brief and budget straight to your inbox, already qualified, and you can put the whole page on your own custom domain so it reads as yourname.design end to end. You can also see which pieces clients actually click, which tells you what to put first next time.

A link in bio for designers ties it together: a page that proves your taste, the work up front, the deeper links, the proof, and one clear ask. You control what comes first, you update it in seconds, and it looks like you made it on purpose, because you did.

Claim your page at mypage.cc and have it live in about two minutes. It is free to start, looks like your portfolio rather than a button list, and points every visitor straight to your next brief. Set up mypage.cc/yourname today.